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hotoshop has always catered well to the needs of photographers, but the CS3 release introduces yet more photo-friendly features such as the Black & White adjustment, the Exposure adjustment layer, and the new, much-improved Adobe Camera Raw. In this chapter, you apply layer techniques to some real-world photography situations, hopefully demystifying some of the more esoteric features of Photoshop along the way. You ll be looking at: n Retouching landscapes: Here you ll be using layer masks to separate land and sky. You also learn how to really make your landscape pop out of the page. n Correcting color casts: Has your camera let you down by misjudging the white balance of a scene Or do you have a photo with a particular color cast You learn how to get perfect colors within a photo, using the Levels adjustment on a channel-by-channel basis. n Retouching a portrait: You start with an ordinary portrait and apply multiple techniques to bring the exposure back on track and flatter the skin tones. n Converting color images to black and white: You compare the main layer-based techniques for converting a color digital photo to black and white, and learn how to get the most out of your monochrome images. n Aligning handheld photos: Finally, you look at the new Auto-Align Layers feature in Photoshop CS3. You learn how to take two handheld photos of the same scene and line them up perfectly in seconds.

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Under this condition, spontaneous emission, counterpropagating to the injected beams (A1 and A01 ) experiences a net loop gain greater than unity, which leads to the buildup of an anticlockwise mode (A2, A02 and A4, A04 ). As with the SPPC case, the anticlockwise mode is expected to be the phase conjugate of the input beams in order to produce a self-replicating mode on each loop transit. This can be understood since, if A2 is the complex conjugate of A1, then from four-wave mixing theory A4 is conjugate to A3, and hence A02 is conjugate to A01 , and so on. In an experimental Nd:YAG version of the DPC system [12], the layout was similar to the schematic diagram of Fig. 11.10 except, to reduce the threshold requirement of Eq. (43), a double pass of the writing beams through the ampli ers was made, this adds an extra pass of gain in both ampli ers and considerably lowers the threshold of the system. This system used ampli ers having small-signal gains of 100 and 35 and injection by two 16-ns pulses with TEM00 spatial mode (see Fig. 11.11a) into arms 1 and 2. Phase conjugate re ectivity as high as 160 was observed [12]. The spatial quality of output of one of the arms of DPC system is shown in Fig. 11.11(b) exhibiting high-quality TEM00 operation, although somewhat larger beam size to the input. When an aberrator was inserted in the DPC loop system, the output quality was almost unaffected as shown in Fig. 11.11c. The strength of the aberration

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